Everyday Poetry

Earlier this month I took the opportunity to have a fantastic lunch at Bone Garden Cantina with my dear friend Troy. We had been threatening to catch up since prior to last Thanksgiving but some combination of parental duties and holidays got in the way every time. Thankfully we had a sunny, crisp January afternoon to reminisce and reacquaint after a prolonged absence.

Troy is what some would call an “old soul” but I always think of him as a Renaissance man. He loves denim, Auburn, photography, and his kids. He can hold court on the topic of live-streaming video, but is equally comfortable sharing his favorite verse – from song or poetry – he enjoys good beer, and is a fantastic dancer.

In the extended run-up to our reunion, I was reminded of a poem Troy would quote during the introspective stretches of our March Madness tenure. They were the last two lines of The Summer Day by Mary Oliver.

The Summer Day

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean-
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down-
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

from New and Selected Poems, 1992
Beacon Press, Boston, MA
Copyright 1992 by Mary Oliver

The stories we shared that afternoon were reminders of how we were both dealing with our wild and precious lives in ways that were at once similar, but also worlds apart. Troy has had to deal with some immense loss and change over the last 3 pandemic years, and I guess I have too. It felt cathartic and holy to share that space and those stories, but I wouldn’t betray any confidences by sharing them here, only to note that this is why we are friends: we can easily shift from the sublime to the ridiculous over a basket of tortilla chips and some craft beer.

The lunch was all too brief but it did remind me to renew my library card and check out a book of Mary Oliver’s poetry. Here’s a new one (to me) in a similar vein to Troy’s that I hope you’ll also enjoy.

In Blackwater Woods

Look, the trees
are turning
their own bodies
into pillars

of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,

the long tapers
of cattails
are bursting and floating away over
the blue shoulders

of the ponds,
and every pond,
no matter what its
name is, is

nameless now.
Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.
To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.

from American Primitive, 1983
Copyright Back Bay Books
by Mary Oliver

I hope everyone will take time this year to cherish their friendships and to read some poetry (Troy and I would both suggest Mary Oliver). The world needs more of both friendships and poetry; now, more than ever.

Poetry corner

Related to some thoughts I’ve been having – both recently and as part of a longer exploration for a book I’m half heartedly and haphazardly writing – a poem fragment sprang into my brain yesterday.

Here’s what it became after some refinement last night:

Cicadas

Late Summer Sunday stroll amidst cicada song
I’m struck
Maybe these are sirens
That I’ve misheard as wilderness wallpaper
And I wonder
How many other opportunities to be open
To listen
To hear
That what I always thought harmony and melody
Might represent solemnity, sorrow, or strife
And now as I round the corner home
I consider
It may not be just the cicadas I’ve misunderstood
But also my friends, neighbors, and lover too
So I stand in the shimmering street
Sinking into that silent thought
And the daylight drones on

Shoutout to Jason Dominy whose poetry posting on Facebook & Instagram made me consider taking a little wisp of inspiration and running with it.

Thanks, man. I’m hoping this small effort will let me re-focus on a larger work that’s been dormant for a bit longer than I’d like.

Stay well, everybody, and keep looking for the meaning amidst all the meandering.

Craft Beer Contains Multitudes

Does craft beer contradict itself?

Can the same movement that chastises folks as “wussies” for enjoying “fizzy, yellow beer” also embrace the popularity and acceptance that those drinkers might deliver them?

If that brewer is Wild Heaven and that beer is Emergency Drinking Beer, the answer is a resounding yes. The story of their flagship beer, its striking yellow can and the success it has brought them is worth a read.

On the flip side of that argument is To ØL out of Denmark. Their brewers actually made freeze-dried beer, which is about as crafty as you can get. Some might even say hipster-y.

So, yes, craft beer is full of contradictions. It’s full of real people making a real product they want to share with others.

Craft beer is large and getting larger, it contains multitudes.

Poetweeting

I’ve been needing a push recently.

Needing to go outside to run and play.
Wanting to start something new but not knowing what to start or where to start it.
Wishing the stars would just align and get the ascension of damnation over with already, thank you very much.

The push has arrived, mid-back and with an overabundance of force, in the form of Hugh MacLeod’s new book, Ignore Everybody. His crazy deranged fools mailing list and twitter feed are culprits as well.

I’d charge them with assault if I didn’t like the jolt it gave me, popping me right back into the reality of following my creative urge. [Particularly pertinent cartoon to this effect today.]

Last Summer I wrote flash fiction in the form of Ficlet Friday. [Archives]
Last November I crossed the finish line of NaNoWriMo 2008.
Last year is over and this year is half done and what have I done?

So, thanks to Hugh and the always helpful/supportive/creative Will Hindmarch, I’m getting back on the writing train.

Finding an easy outlet (for me) to let my creative juices pool in places online.
Taking care of myself by doing instead of putting off until later (which never comes) when I’m “ready” or I have the “right” tools.
Lowering the barrier to my entry into the things that give me joy and vibrancy and meaning.

For the remainder of the Summer, Ficlet Friday is becoming Ficly Friday (due to the closing of the former/replacement of the latter).

I’m also going to start doing some random 140-characters-or-less poetry on Twitter using the hashtag #poetweet. I think this is practical, clever and productive.

Feel free to join me in either endeavor, if you’d like. We had a ton of fun last year doing flash fiction on Fridays and poetry on Twitter is (theoretically) easy. It makes a great canvas for haiku (nudge/wink).

Anyhow, I think this will be good for me. After a hiatus (too long for me) I’m ready to get back on the horse and start being creative again. Stop taking my inner voice for granted.

Cheers and thanks to both Hugh & Will!